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^2^; visually, you might ignore a very small sound at low intensity or even perceive it as a noise. In an fMRI experiment, auditions could be processed with different mechanisms. For instance, the processing of low intensity stimuli was left lateralized in this study, which is consistent with previous research. We believe that the positive correlation between the mean pitch sensitivities and the intensity thresholds of the Pz sites was mainly produced by this lateralization. In a fMRI experiment, the stimuli with low intensity might be processed mainly at the left hemisphere and the stimuli with high intensity may be processed mainly at the right hemisphere. Such a possible lateralization might be related to the degree of attentional effort.

In this study, the intensity sensitivity of each subject was measured with a sound frequency sweep of 300 Hz and a sound pressure level (SPL) of 60 dB. In another study \[[@B1]\], Vasseur et al. reported the frequency sensitivity of their subjects. They found the frequency sensitivity was lower than that of the threshold of the intensity sensitivity. This discrepancy might be related to the experimental paradigm. To test this speculation, we measured the frequency sensitivity of 10 male subjects at different frequencies (50, 100, 200, 500, 1000, 2000 Hz) using a sound frequency sweep from 60 dB SPL to 65 dB SPL. The frequency sensitivity of each subject was measured at all the frequencies at which the intensity sensitivity was measured and the average frequency sensitivity and the average threshold of each frequency were calculated. The results showed that the frequency sensitivity decreased as the frequency increased \[Additional file [1](#S1){ref-type=”supplementary-material”}\]. We believe that this tendency was mainly due to the experimental paradigm. The subjects listened to frequencies at which the intensity sensitivity was measured and the intensity sensitivity at those frequencies.

In summary, this study demonstrated that the pitch sensitivity of musicians was significantly lower than that of controls. The pitch sensitivity was positively correlated with the intensity threshold of the musicians, which was lower than that of controls, although the difference was not statistically significant. The low pitch sensitivity of musicians may have resulted from the abuse of music or the effect of long-term training. Since this effect could lead to the deterioration of music perception, it might be necessary to distinguish between music students and musicians. Furthermore, we found that musicians’ pitch sensitivities were negatively correlated with the duration of formal music education. This result suggested that more music education may improve musician’s pitch sensitivity.